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Learn how to create clip masks.Masking and Tracking in Premiere Pro

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Solved: Premiere Pro CS6 no mask shape tools? – Adobe Support Community –
Use Premiere Pro’s masking tools to apply effects to a specific part of a frame in your video. Learn to apply a mask, and then track it as it moves across the frame. Masks let you define a specific area in a clip that you want to blur, cover, highlight, apply effects, or color-correct. You can create and modify different shaped masks, like an Ellipse or a Rectangle. Or, you can draw free-form Bezier shapes using the Pen tool. You can use the Ellipse shape tool to create a circular or ellipse-shaped mask, or a Rectangle shape tool to create a four-sided polygon.
From the Effects panel, select the effect that you want to apply to the clip. Apply the selected effect to a clip by dragging the effect from the Effects panel to the clip in the Timeline panel. Alternatively, select the clip and double-click an effect in the Effects panel to apply it.
For more information on applying an effect, see Apply effects to clips. Open the Effect Controls panel to see the effect properties. Click the drop-down arrow to reveal the controls. You can create an ellipse or rectangle. Use the Pen tool to create free form shapes. You can specify values to adjust a mask using the Effect Controls panel.
The controls change depending on your choice. For more information, see Adjust mask settings. Click the Ellipse shape tool to create an Ellipse-shaped mask or click the Rectangle shape tool to create a rectangle-shaped mask. The shape mask appears in the clip displayed in the Program Monitor, and the effect is constrained within the masked area. You can now customize the size and shape of the mask using the Effect Controls panel. For more information on editing your mask, see Adjust mask settings.
Important notes. You can create free-form shapes using the Pen tool. The Pen Tool lets you freely draw complex mask shapes around objects. Select the Pen tool from the Effect Controls panel. Draw directly on the clip in the Program Monitor. You can create different shapes by drawing straight lines and curved segments. To draw smooth curves, you can draw Bezier path segments that provide you greater control over the shape of the mask. The simplest path that you can draw with the Pen tool is a straight line with two vertex points.
By continuing to click, you create a path made of straight-line segments connected by vertex points. This is a linear mask. A linear mask is always a polygon with joined by hard angles. Linear control points are also known as corner points. Position the Pen tool where you want the straight segment to begin, and click to define the first vertex point do not drag. You create a curved path segment by dragging direction lines using the Pen tool. The length and direction of the direction lines determine the shape of the curve.
To create Bezier shapes, you convert a vertex point on a mask to a Bezier point by pressing the Alt key while placing the cursor over the vertex point. The cursor becomes an inverted “V” shape. Then, click and release the pointer. Bezier handles provide two-directional controls that allow you to change the curve of the line segment between the handle and the next point on either side.
Two-directional Bezier handles to control the shape of the curve B. Bezier mask points. Place the Pen tool where you want the curve to begin, and hold the mouse button down. A vertex appears, and the Pen tool pointer changes to an arrowhead. Drag to modify the length and direction of both direction lines for a vertex, and then release the mouse button. Placing the Pen tool B.
Starting to drag mouse button pressed C. Dragging to extend direction lines. Starting to drag B. Dragging away from previous direction line, creating a C curve C. Result after releasing mouse button. Dragging in same direction as previous direction line, creating an S curve C. Continue dragging the Pen tool from different locations to create a series of smooth curves.
To change the shape of an ellipse mask to a polygon, press Alt and click any of the vertices of the ellipse. To resize a mask, place your cursor just outside a vertex and press Shift cursor becomes a double-sided arrow , then drag the cursor. To rotate the mask, place your cursor just outside a vertex cursor becomes a curved double-sided arrow , and then drag.
To move a vertex, drag the vertex with the Selection tool. Note that while dragging an ellipse-shaped mask, the ellipse shape is not maintained. The cursor changes to a pen shape with a minus sign. You can feather the mask, expand the mask, change the opacity, or invert the mask to stylise your video. To feather a mask, specify a Mask Feather value. The feathering guide appears around the mask as a dashed line.
Drag the handle away from the feathering guide to increase the feathering, or toward the feathering guide to decrease the feathering. The mask feather handle lets you control the amount of feathering directly on the mask outline in the Program Monitor. When opacity is applied to a mask it will change the opacity of the footage you have cropped out. To adjust the opacity of a mask, specify a Mask Opacity value.
The slider controls the mask opacity. At a value of , the mask is opaque and blocks out any underlying area of the layer. As you lower the opacity, more of the area under the mask becomes visible. To expand a mask, specify a Mask Expansion value.
Positive values move the borders outward, and negative values move it inward. You can also drag the handle away from the expansion guide to expand the mask area, or toward the expansion guide to contract the mask area. Select the Inverted check box to reverse the masked and unmasked areas. You can protect areas that you want to leave as-is by masking it, and select the Inverted check box to apply effects to the unmasked areas. When you copy and paste an effect containing masks, the pasted effect has the same masks applied.
When you apply a mask to an object, Premiere Pro can let the mask automatically follow the object as it moves from one frame to another. For example, after blurring a face using a shape mask, Premiere Pro can automatically track the movements of the masked face from frame to frame as the person moves. When a mask is selected, the Effect Controls panel displays controls for tracking the mask forward or backward.
You can choose to track the mask either one frame at a time or until the end of the sequence. Click the wrench icon to modify how masks are tracked. You can select from a few choices to provide the most effective tracking:. Position And Rotation. Position, Scale, And Rotation. You can find the option that works best for your clip by trial. Select one of these options, and if it doesn’t work well, undo, and try another one. To use the more advanced tracking features available in After Effects, send your sequence to After Effects using the Dynamic Link feature.
For more information, see Mask Tracking in After Effects. Mask tracking in Premiere Pro is faster when Live Preview is disabled the default option. If for some reason, Live Preview is enabled, you can disable it using the following procedure. To preview the changes in the track, click the mask wrench icon and select preview from the drop-down list.
To disable live preview, click the mask wrench icon and deselect preview from the drop-down list. For clips with a height greater than , Premiere Pro scales the frame to before calculating the track.
Also, Premiere Pro uses Low Quality renders to speed up the process of mask tracking. How to blur a moving face with masking and tracking.
In this 5-min video tutorial, learn how to apply a feathered mask to protect a person’s identity and then track that mask as it moves across the frame in a scene. Legal Notices Online Privacy Policy. Buy now. User Guide Cancel. Masking in Premiere Pro.
Ultimate Guide on How to Mask in Adobe Premiere Pro[]
Get files. What you learned: By adding a mask, you can target effects to a specific area of an image, cut something out, or place images in front of or behind specific parts of a video Mask an effect You can use masks with many video effects to constrain the results of the effects to a particular area in the frame. Before making any color adjustments, choose Create Ellipse Mask.
A wireframe circle appears. Adjustments can be made to the mask. To reposition the mask, drag it in the Program Monitor. To adjust the size of the mask, drag the edge control points. To rotate the mask, position the pointer just outside an edge control point until the rotate icon appears.
Then drag. Track a mask After applying a mask, you can choose to automatically track an object or a person moving in the frame. When you apply a mask, the Effect Controls panel displays tracking controls under the mask name.
A new audio track design, improved meters, and a revamped Mixer panel make working with sound easier than ever. Take advantage of the most requested editing enhancements, including over 50 new features to help editors switching NLEs move more comfortably to Adobe Premiere Pro. Finesse your editing with precision using all-new advanced trimming tools.
Trim clips your way directly in the timeline via keyboard entry or dynamically in the Program Monitor using JKL shortcuts. The new GPU-accelerated Warp Stabilizer removes jitter and rolling shutter artifacts and other motion-related irregularities.
Quickly and easily edit multicam footage from as many cameras as you have on the shoot. Sync via timecode, switch between tracks in real time, and adjust color across multiple shots. Better manage the color in your projects with the more intuitive Three-Way Color Corrector for precise primary and secondary color correction.
Apply effects across multiple clips. Now you can create adjustment layers, similar to those in Photoshop and After Effects, to apply effects to clips on tracks below them. Easily create masks to adjust a selected area of a shot. Work the way you want and edit more fluidly. A less cluttered, customizable interface lets you focus on your media by letting you choose which buttons to show or hide in the monitor panels. View, sort, and arrange media easier than ever with the redesigned Project panel.
Edit faster with the ability to scrub and skim clips, set in and out points, and resize clip thumbnails. Dragging away from previous direction line, creating a C curve C. Result after releasing mouse button. Dragging in same direction as previous direction line, creating an S curve C. Continue dragging the Pen tool from different locations to create a series of smooth curves. To change the shape of an ellipse mask to a polygon, press Alt and click any of the vertices of the ellipse. To resize a mask, place your cursor just outside a vertex and press Shift cursor becomes a double-sided arrow , then drag the cursor.
To rotate the mask, place your cursor just outside a vertex cursor becomes a curved double-sided arrow , and then drag. To move a vertex, drag the vertex with the Selection tool. Note that while dragging an ellipse-shaped mask, the ellipse shape is not maintained. The cursor changes to a pen shape with a minus sign. You can feather the mask, expand the mask, change the opacity, or invert the mask to stylise your video.
To feather a mask, specify a Mask Feather value. The feathering guide appears around the mask as a dashed line. Drag the handle away from the feathering guide to increase the feathering, or toward the feathering guide to decrease the feathering. The mask feather handle lets you control the amount of feathering directly on the mask outline in the Program Monitor. When opacity is applied to a mask it will change the opacity of the footage you have cropped out. To adjust the opacity of a mask, specify a Mask Opacity value.
The slider controls the mask opacity. At a value of , the mask is opaque and blocks out any underlying area of the layer. As you lower the opacity, more of the area under the mask becomes visible. To expand a mask, specify a Mask Expansion value. Positive values move the borders outward, and negative values move it inward.
You can also drag the handle away from the expansion guide to expand the mask area, or toward the expansion guide to contract the mask area. Select the Inverted check box to reverse the masked and unmasked areas. You can protect areas that you want to leave as-is by masking it, and select the Inverted check box to apply effects to the unmasked areas. When you copy and paste an effect containing masks, the pasted effect has the same masks applied.
When you apply a mask to an object, Premiere Pro can let the mask automatically follow the object as it moves from one frame to another. For example, after blurring a face using a shape mask, Premiere Pro can automatically track the movements of the masked face from frame to frame as the person moves. When a mask is selected, the Effect Controls panel displays controls for tracking the mask forward or backward. You can choose to track the mask either one frame at a time or until the end of the sequence.
Click the wrench icon to modify how masks are tracked. You can select from a few choices to provide the most effective tracking:.
Position And Rotation. Position, Scale, And Rotation. You can find the option that works best for your clip by trial. Select one of these options, and if it doesn’t work well, undo, and try another one. To use the more advanced tracking features available in After Effects, send your sequence to After Effects using the Dynamic Link feature. For more information, see Mask Tracking in After Effects. Ability to create the extended multi-cam sequence The older Adobe Premiere versions let you work only with four cameras simultaneously.
Adobe Premiere Pro CS6 offers advanced multi-cam video editing while allowing you to work with as many camera angles as you have. Fast software Premiere Pro CS6 uses the Mercury playback engine, improved for continuous playback during tasks, such as resizing the panel groups, color grading and working with effects in real-time. Before you buy Adobe Premiere Pro CS6, you need to learn the system requirements of this software as it works only on powerful computers.
So, carefully check the recommended tech specifications for Adobe Premiere Pro in order not to have problems with its installation and use. Sometimes color grading may seem a real challenge. Fortunately, there are LUTs, special tools that will help you effectively fix the colors and enhance the overall look of your clips. Make the most of this package of first-class freebies to bring your video editing to the whole new level.